![]() It creates the foundations from which the world we live in emerge, but we’re also creating it all the time. …Disney’s enforcers are even in their fiction… Mickey is the king not because of narrative or logic or mechanical necessity, but because he’s the most valuable property, the marquee mouse, the symbolic king that founds this whole thing. We can’t imagine Donald Duck being the king, or any of these things being different, because there’s a canonicity to the entire Disney intellectual property stable. We don’t know, and I gauge that it’s hard to imagine because of the sheer gravity that Disney has. When he wants to go back in time and tamper, is he trying to unseat the future king? Is Donald Duck trying to assume the throne by manipulating time? Or maybe he just wants to stack the deck in his own favor. He’s a rogue agent, the gremlin in the system, and he wants to détourne this whole operation. Any kind of tampering with the source code of the Disney enterprise is strictly off-limits.ĭonald Duck’s desire for change is lurking in the Disney enterprise. Whatever Donald wants to do here in the past is literally unspeakable and unknowable for the plot of Kingdom Hearts II. The game can’t help but play it for laughs because to play it as anything else, and god forbid if you played it straight, it would be too disturbing. They smile and play it for laughs, like he’s the most ridiculous person who ever existed for wanting to dive into the primordial ooze that produced him in order to create something more to his liking. They grab his arms and drag him to the portal to take him back home, open the door, and bodily toss him through it. But there’s a moment of friction and tension that happens at the end, and that’s what I find so compelling about the Timeless River.ĭonald doesn’t want to leave. They defeat evil Pete, save the Cornerstone of Light, and return to their original time to tell Queen Minnie that everything has been solved. Of course our heroes do what they were trying to do. Disney the creator, not Disney the intellectual property management corporation. The world situates itself in a Kingdom Hearts context by reminding you that it’s not all Aladdin and Ariel, that Disney has a core, that it all emerged from something which was once wholly strange and alien. And so Sora and crew have to travel back there to save it.įrom the perspective of a game, this is all setup to get these characters back in time to the Timeless River, a mashup world of early Disney shorts that have Mickey Mouse and the attending side characters running around and doing profoundly silly things. ![]() In the past, Pete is threatening and stealing the Cornerstone. In a strange turn of events, big bad Maleficent was so cruel to her employee (and original villain) Pete that his sadness and consternation opened a time-travel portal into the deep past of Disney. It is in danger because the Cornerstone of Light, a device that prevents Disney Castle from being attacked by the world-threatening Heartless, has been compromised. ![]()
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